Patrick Farmer
+447769732635
dr.patrickfarmer@protonmail.com
Forthcoming
Upturned Solar Bark (book of essays)
A Note toward Ongoing Lingual Remediations
An Archetypal Engagement with Sycamore Seed
Dragon Language and Tonotopic Analysis
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Small as my Jupiter Finger
Dirt Work
Notes Toward Amateur Perspectives, auras of old green dirt
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* Texts below are part of ‘On Vibration’ lecture series, click for excerpts
Queer Little Gods
Introduction to stereocilia
Trembling was all Living, pt.1 & .2
Who are Whirlpool?
Reasonance and Dragon Language
Space Weather and Desire Work
A Tall Grass of Open Hands
Dreams of Labyrinths are Shark’s Love for Humanity, pt.1 & .2
Hearing Heart
No Vibration Without Electricity
Thank you for Augury
Long Lasting Intimacy of Stengers
Poetic Physiology pt.1 & .2
Hermetic Resonance
Hermetic Reasonance
Passing Through
* Texts below are part of ‘Ear Motes’ series
lobe ode ear node
Throwing Stones at No One
A chapter in a Routledge book of essays on Soundwalking, edited by Jacek Smolicki
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Mention of Flies
An essay in a special edition of Senses and Society, edited by Marie Thompson and myself, focussed on Aesthetics of Tinnitus
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A chapter in a Routledge book of essays on Aural Diversity, edited by Andrew Hugill and John Drever
Tinnital Imagination
Published online as part of Issue 2 of Socrates on the Beach Journal
Tinnital Imagination
A Swedish translation of abovementioned essay, published in Nutida Magazine
Soft Doors
Originally published by Zeno Press
Graticules
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Planets are an Orchard of Pomegranates
An ekphrastic reading of Leonora Carrington’s Forbidden Fruit, published by Futch Press
On Obscure Motion
An oneric account of Galen’s lost book on ossicles of middle ear, published in RIFFS Journal
Humuskind
A text commissioned by Daniela Cascella for MAP Magazine. Part of Cascella’s series, ‘A Year of Carte Blanche and Other Chimeras’
Oscillum
A series of poems about oscillation’s votive ancestry, published in Disonare magazine
OOO
Trevor Simmons and I continue our bestial saga with three frottaging badgers, published by Erotoplasty
Azimuth, Ecology of Ear
A brother and sister to Listening and its not, Azimuth is an attempt to communicate with others by dismantling appendage on whom I most rely to communicate. A collaborative publication that rends ear into 15 holes in order to make with them someone new
Close Eclogues on Tiptoe
A book about friendship and memory who is also a response to ‘Mass’, an exhibition by Lotti V Closs, published by Compost and Height
Bittern Space, a Siskin
A commentary on some of my work, part of ‘Writing the Field’, published by Edinburgh University Press, curated by Will Montgomery and Stephen Benson
Beyond Silence (a bell rings in an empty sky)
A gallery catalogue from a show by Danny McCarthy, to which Helen Frosi and I contributed a text titled, ‘Nine Skies’
Listening and its not
A series of realisations, published by SARU and Compost and Height, by Jeph Jerman, Amelia Ishmael, David Stent, Daniela Cascella, and others, responding to a text score
Yew Grotesque
Written as part of a project with Forestry Commission England and Sound and Music. Published by SARU and Compost and Height
To Node and Undulate
A response to Daniela Cascella’s F.M.R.L. with Trevor Simmons
He was quite blank / He assured me
Re-application of a talk I gave at a SARU symposium in Oxford, He was quite blank is a rumination on sleep in childhood, and is part of Reductive Journal, also featuring pieces by Jo Mills, Manfred Werder, etc
Wild horses think of nothing else the sea
Written during a 6 week walk of Welsh Coast
try i bark (limited edition prints)
To coincide with publishing my first book, with Compost and Height and Organised Music from Thessaloniki, I have designed 22 limited edition prints of pinhole photography and hand typed composites
try i bark
Limited to an edition of 120, try i bark emerged with my stay in Estonia, where I was MOKS artist in residence during summer 2011